Born in Texas, Morris would often dominate the karaoke machine when her parents, who owned a local hair salon, would throw parties – and she’d belt LeAnn Rimes and Patsy Cline to the bewilderment of guests.
At barely twenty, she moved to Nashville, leaving behind a resume that boasted three hits on the Texas Music Chart: and while many arrive in town with a dream of their name in lights, resting on the marquees of the biggest and brightest venues, Morris simply wanted to work on her songwriting craft. Small shows led to big opening gigs: for Little Big Town, Sam Hunt, Loretta Lynn and Chris Stapleton.
With HERO, her first LP for Sony Music Nashville, Morris starts with a bang, not a whimper: it’s Maren Morris in a perfect nutshell. Morris built buzz at a breakneck speed with her self-titled EP, which introduced all of the diverse and dynamic sides that comprise her – from the confident, danceable swagger of “80s Mercedes,” to the island jam of “Drunk Girls Don’t Cry,” and the soulful confessions of “Wish I Was.” And, of course, the thrilling pop-country-gospel amalgam of “My Church,” a track about the spirituality that comes with to letting your body and mind be enveloped by the power of music.
“My Church” has risen fast and furious: it entered Billboard‘s Heatseeker’s chart at number one and has been bounding forward ever since, earning millions of digital streams and scoring Morris numerous accolades like an induction into CMT’s “Next Women of Country” and a spot as one of Rolling Stone Country‘s Artists You Need to Know.
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