From the Site
Dayglow Shines Like a Diamond in Self-Titled Record
September 20, 2024
'Dayglow' sees a young artist stopping to smell the roses, with greener pastures and greater successes fixed in sight.
Alisa Xayalith Celebrates "Boys & Guitars" By Celebrating 5 Rising Artists
September 20, 2024
"I feel a kinship for artists starting over or at the beginning of their new chapter because we’re just all flailing around..."
ericdoa Clutches a Comeback Hit With "search & destroy"
September 18, 2024
Created during his two-week-long LOCKED IN studio session, "search & destroy" is the fruit of intensive, laser-focus labor.
PIAO Pens an Ode to Childhood Pets and Missed Chances in “pagingbubu”
September 13, 2024
“'pagingbubu' is for your childhood dog in the sky, the critters in pet shops, and for all the lost time and missed opportunities..."
INJI Cements Herself as the Dance-Pop Artist to Watch With 'WE GOOD'
September 13, 2024
INJI’s music bursts with femininity and power, fusing sounds of jazz, bossa nova, classical, and everything in between.
COIN's 'I’m Not Afraid of Music Anymore' Signals a New Chapter of Their Artistry
September 13, 2024
'I’m Not Afraid of Music Anymore' holds a kaleidoscopic range—in genres, sounds, and confessional feelings.
Loyal Lobos Crafts an Intoxicating Fusion of Pop and Reggaeton in “Limón”
September 12, 2024
“I wanted to express how much it hurts to detach from someone."
keshi Makes a Notable Departure While Exploring His Roots in "Texas"
September 10, 2024
The new song arrives as a precursor to keshi's much-anticipated sophomore album, 'REQUIEM,' set to release this Friday.
mxmtoon and Kero Kero Bonito Want Us to Enjoy the Ride in "the situation"
September 9, 2024
Bedroom-pop superstar mxmtoon celebrates the announcement of her third studio album, liminal space, with the release of a poignant sonic earworm.
Sarah Kinsley Delivers an Otherworldy Debut Album in ‘Escaper’
September 9, 2024
'Escaper' evokes that reality-suspending feeling of dreams, plumed with feelings of curiosity, grief, love, and loss.
Dasha's "Didn't I" Is a Pop-Country Treasure
July 12, 2024
“Didn’t I” is a moment of inner turmoil captured in a twangy earworm of a song.
Tessa Violet on Her Favorite Vine, Systematic Injustice, and Dodie | Quick 6
March 21, 2019
Get to know YouTube-sensation-turned-indie-pop-phenom, Tessa Violet.
Valentina's 'Unmanageable' Is Pure, Soulful Catharsis
May 1, 2019
'Unmanageable' cements Valentina as a soulful voice in the realm of pop, but on a larger scale, it arrives as a rallying cry for anyone who has ever been told they were not good enough.
![Jamie N Commons - "A Change" [Live + Interview] | All Eyes On](https://s3-us-west-2.amazonaws.com/onestowatch-v2/Jamie-n-commons-live-ones-to-watch_1559680491.jpg)
Jamie N Commons - "A Change" [Live + Interview] | All Eyes On
June 4, 2019
It was our honor to invite this enthralling amalgamation of blues, soul, folk, and pop to perform at our latest "All Eyes On" showcase and illustrate exactly why he is one to watch.
Sam Short's “Taste It” Is a Tantalizing Pop Slowburn
October 28, 2022
"This is the most honest song I’ve ever written. It epitomizes my very first heartbreak."
flowerovlove Captures the Euphoric Rush of a Summer Roster in "BOYS"
May 20, 2024
“BOYS” is easy to love and euphoric.
![Baby FuzZ - "Shadowland" [Live + Interview] | Northside Sessions](https://s3-us-west-2.amazonaws.com/onestowatch-v2/baby-fuzz-ones-to-watch.gif)
Baby FuzZ - "Shadowland" [Live + Interview] | Northside Sessions
April 16, 2019
Baby FuzZ is without a doubt one of the most slept on acts in the music scene right now.
RIIKI Returns to Her Happy Place on "Good Times"
December 21, 2020
Kiwi pop songstress RIIKI has completed the hat-trick of singles with her first 2020 release "Good Times."
Looking to Get Lost in Space? Try Alann8h's 'Apollo 8'
November 24, 2021
It's hard not to get lost in the idyllic sounds of Allan8h.
LilyIsThatYou Sets the Dancefloor Ablaze With "Party 22"
December 6, 2021
"Party 22" is an instantaneous earworm sure to carry your well into the new year.