From the Site
Amelia Moore's “over my ex” Embraces the Harsh Reality of Not Being Ready to Move On
September 5, 2023
Moore's “over my my ex” is a not-so-quiet testament to her impending pop reign.
eee gee Delivers an Indie Pop Triumph in the Kaleidoscopic 'SHE-REX'
September 5, 2023
'SHE-REX' is a colorful indication of eee gee's expansive artistic vision.
Benét Reclaims the Freedom of a Carefree Day in "No Alarm"
September 5, 2023
“No Alarm” doesn’t require much of you to enjoy. It’s playful, a sonic ease at its very core.
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Royal & The Serpent Shows Off Her Softer Side in Fourth Installment of 'Rat Trap' Saga
September 5, 2023
Singer-songwriter Royal & the Serpent continues building her "royalverse" with the next installment of her RAT TRAP saga, RAT TRAP 4: the burden.
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Jhariah Is Ready To Risk It All On Latest Single "RISK, RISK, RISK!" | THE NOISE
September 1, 2023
22-year-old Brooklyn-based musician and polymath Jhariah continues building a thrilling, fiercely original musical universe with the release of their latest single, "RISK, RISK, RISK!"
teo glacier Teams Up With thuy For Reimagined Version of "Close With Desires (Right Person Wrong Timing)"
September 1, 2023
The breakout single gets a velvety second breath.
thuy on Blocking People on Instagram, Ella Mai, and Thirst Following | Close Friends
August 31, 2023
Step into thuy's close friends list with an exclusive interview.
Sam Short Walks Us Through Her Debut EP 'Faulty Wiring' Track by Track
August 31, 2023
"Each song on this EP details my experience with my own toxic tendencies, my obsession with melancholia, and pure disillusionment."
Ta-Ku Welcomes You Home in the Nostalgic 'Songs To Come Home To'
August 31, 2023
"My heart constantly reminds me that geography has no hold on what I call home.”
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Bearings Reveal 'The Best Part About Being Human' On Long-Awaited Third LP [track by track] | THE NOISE
August 30, 2023
Ottawa-based pop-punk band Bearings have returned with their exhilarating third LP, 'The Best Part About Being Human,' and deliver a body of work that shamelessly serves the end-of-summer angst we didn’t know we needed.
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Rochelle Jordan’s ‘Through The Wall’ Is a Love Letter To Freedom [Q&A]
September 23, 2025
In Jordan relinquishing herself from one-dimensionality, she’s given every set of eyes on her permission to do the same.
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WHATMORE Are Best Friends First, Artists Second [Q&A]
September 17, 2025
"We never put ourselves in a box... for now, we like to say we’re just WHATMORE."
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10 Questions With PRYVT on Their Latest Airy Single ‘PALETTE’ [Q&A]
September 16, 2025
Birthed from a period of burnout, PRYVT feels freer and more at home than ever in "PALETTE"
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WATCH: Big Ass Truck Perform Heavy-Hitting Tracks For ‘Something Loud’ Session [EXCLUSIVE] | THE NOISE
August 7, 2025
Watch Big Ass Truck perform "Beef," "Big Ass Beer" and "Cornfed" plus talk about their recent rise in the hardcore scene landing them on multiple big time festivals all across the US.
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WATCH: Cartel's Will Pugh Performs Acoustic 'Chroma' Renditions For New Something Quiet Session [EXCLUSIVE] | THE NOISE
September 18, 2025
Watch Cartel's Will Pugh perform "Say Anything (Else)," "Luckie St" and "Runaway" plus talk about the band's recent re-release of 'Chroma' to celebrate 20 years of its original debut.
Hunter Daily Takes Us Through Her EP 'Claw Marks,’ Track by Track
September 19, 2025
"After a 4.5-year relationship, letting go wasn’t clean. It was messy, desperate, and it left marks."
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Edgehill's "lol" Is An Indie Rock Reach for Meaning [Q&A]
September 19, 2025
We sat down with the band to get the inside scoop on their writing process, commitment to collaboration, and who wear's the chef's hat in the band.
Exclusive: KENNEDY Releases “All The Pretty Girls” For Those Who March To The Beat Of Their Own Drum
September 19, 2025
KENNEDY’s fourth single is finally here and even better, we got the accompanying visuals.
Emotive, Electric, Unstoppable: Michael Aldag’s ‘Crying in the Club’ EP
September 25, 2025
Philine Sonny Takes Back the Power in “Gatekeeper”
September 20, 2025
Sonny is not one to hold back in her music, tackling difficult subject matter with care and honesty.