From the Site
Fred Again.. Enlists Romy of The xx and HAAi For the Ephemeral Rush of "Lights Out"
January 20, 2022
"Romy's lyrics and voice are just like a hug from a rave angel."
![Porsh Bet$ Tackles Long-Distance Relationships on "Things In The Way" [Premiere]](https://s3-us-west-2.amazonaws.com/onestowatch-v2/porsh-bets-things-in-the-way_1642634153.jpeg)
Porsh Bet$ Tackles Long-Distance Relationships on "Things In The Way" [Premiere]
January 19, 2022
Despite its bittersweet subject matter, "Things In The Way" is one of those songs that you cannot help but groove along to.
![Erika Tham Embraces Her Sexuality on the Smoldering "Shhh" [Q&A]](https://s3-us-west-2.amazonaws.com/onestowatch-v2/Erika-Tham-interview-shhh_1642634115.jpeg)
Erika Tham Embraces Her Sexuality on the Smoldering "Shhh" [Q&A]
January 19, 2022
"I could write and sing whatever I wanted to, and it didn't matter what I looked like or where I came from. That was freeing."
Griff and Sigrid Make For a Perfect Match on "Head on Fire"
January 19, 2022
"Head on Fire" is everything you could want from a Griff and Sigrid song, and then some.
![Anna Shoemaker Burns It All Down on "Everything Is Fine" [Premiere]](https://s3-us-west-2.amazonaws.com/onestowatch-v2/anna-shoemaker-everything-is-fine_1642612053.jpg)
Anna Shoemaker Burns It All Down on "Everything Is Fine" [Premiere]
January 19, 2022
"You're the only one who can ruin your life."
![cehryl on Finding Herself Again in Hong Kong [Q&A]](https://s3-us-west-2.amazonaws.com/onestowatch-v2/cehryl-interview_1642561572.png)
cehryl on Finding Herself Again in Hong Kong [Q&A]
January 19, 2022
"It reminded me of who I am and what raised me."
poptropicaslutz!, RIZ LA VIE, and GRANDMA Unite on Apocalyptic Anthem "WW3"
January 18, 2022
Between the ensuing chaos of 2022 and the garbage fire that was 2021, stands triumphantly poptropicalslutz!
Saba and Krayzie Bone Keep It Real on the Stirring "Come My Way"
January 18, 2022
Saba's empathic, affective sonic storytelling feels more poised than ever.
EARTHGANG Tell It How It Is on "All Eyes On Me"
January 18, 2022
If EARTHGANG is eating, we're all eating.
The 25 Artists to Watch in 2022
January 17, 2022
Say hello to the Ones to Watch class of 2022 ðŸ'€
Phabo's "LNF" Is Cuffing Season Approved
December 15, 2020
Los Angeles singer Phabo has arrived with his cuffing season approved jam "LNF."
Mills' "Hollow" is a Brutally Honest Confessional
January 12, 2021
Drawing inspiration from the 70's era of Laurel Canyon, Mills' latest release, "Hollow," is an honest dissection of a toxic relationship.
![Elujay Crystalizes Two Years of Trial and Error on 'Circmvnt' [Q&A]](https://s3-us-west-2.amazonaws.com/onestowatch-v2/elujay-circumvnt-interview_1643745724.png)
Elujay Crystalizes Two Years of Trial and Error on 'Circmvnt' [Q&A]
February 1, 2022
"It's just me telling my story, who I am, and what I went through."
Niki Demar Channels the Early 2000's Disney Channel Star Era With "Pregame"
November 1, 2022
“Pregame” brings Demar one step closer to becoming a certified hitmaker.
Wallice’s 'Mr Big Shot' Is a Coming-of-Age Triumph
June 27, 2023
Wallice balances the fatigue and frustration of coming into adulthood to visceral effect.
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Grave Secrets "Fuck Shit Up" On New Riot-Inducing Single | THE NOISE
October 5, 2023
LA punk and post-hardcore band Grave Secrets are ready to rage in their latest single, "Fuck Shit Up."
Kevin Abstract's 'Blanket' Feels Like the Album He's Been Waiting Ages to Make
November 7, 2023
Abstract guides listeners through a genre-less journey of alternative ingenuity.
MICHELLE Finally Lets Go in the Dreamy and Bittersweet “NEVER AGAIN”
January 16, 2024
“NEVER AGAIN” contains all the sorrow and beauty found in letting go.
Swansea Skag's 'the fundamentals of disappearing' Is Measured Chaos
February 20, 2024
Swansea Skag has learned how to paint with production, marrying electronic and organic influences with a deft hand.
Hot Mulligan Release Absurd Anti-Establishment Anthem "Stickers Of Brian" | THE NOISE
March 22, 2024
The new single is an energetic and dynamic track that expresses frustration with the monotony and tyrannical misery of a thankless day job, with comedy, sexuality, and capitalistic dread seeping throughout.