July 28, 2014   The electric guitar still lives, despite the overwhelming evidence of rising synth popularity that hints at the contrary.

February 20, 2014   Meg Myers can't be taller than 5'2", but you forget that when she's in the room. And it's not the singing that crescendos into screaming; it's her unwavering eye contact that will unravel you. 

October 22, 2013   Contrary to popular belief, there's a lot more to veganism than shopping at Whole Foods and swapping your clothes and dairy out for hemp alternatives. And no, not all vegans are hippies by nature either. According to the animal rights organization peta2, a vegan saves the lives of more than 100 animals every year from life on a factory farm and slaughter. Well, that's preeetty cool, but we were curious to know what it's like to actually live and breathe veganism. So we asked one of our favorite vegan musicians out there - AFI's Davey Havok.  Just this year, Davey appeared in a widespread peta2 campaign and created a vegan shoeline with his clothing brand, Zu Boutique - proving that vegans can be fashionable and bona-fide rockstars to boot (no pun intended..?) We caught Davey just as he arrived back in town from London to promote AFI's new album, Burials, which dropped today. Catch our interview with him below! You're currently on tour with AFI and promoting your new album, Burials. Your schedule must get insane with recording and touring - what's the most difficult part about being a full-time vegan/jet-setting music artist? Davey Havok: Not too much difficult parts; there aren't many and they're easy to overcome. Unfortunately the diet is relatively expensive if you're not cooking for yourself. The social aspect can be hard if you don't have a peer group who eat like you. Which I'm lucky in that I do - I have peer circle that is strongly, strongly vegan and vegetarian. My tour manager is vegan, my bass player is vegan as are many of my friends. Jade is a vegetarian. There are some occasions where I step outside of my social circle and I'm eating with people who are participating in mainstream diets and I'm eating in a mainstream-eating establishment. Usually I eat before I go out and eat with those people, because in some instances there isn't anything you can eat.  But these days it's less common to find a place that won't serve you something. If I can't eat beforehand, then I have to reconcile myself to not eating in that situation, and just participating on the social level and not the consumption level. Was there a particular moment that impacted your choice to become vegan? I was a vegetarian for two years before taking the step into veganism. It truly was the straight edge and hardcore scene that influenced me to be a vegetarian in the first place and that educated me in health and animal rights, and it was the same community that led me to veganism by education. There was actually a book I read called Diet For A New America by Dr. John Robbins and it was immediately thereafter that I decided to make the change. What cities and vegan restaurant joints do you look forward to the most on the road in the U.S.? There's a great spot in San Francisco called Millennium that's one of my favorites. In New York, there's a place called Candle 79 on the Upper East Side: I would fly to New York just to eat there. And unfortunately on tour, sometimes you just don't have the time even if you're in the city and you're right next door. There's a spot I really want to eat in Philly called Veg. You also seem like a globe-trotter even while you're not on tour. What are the most accommodating places in the world to eat as a vegan? Canada accommodates pretty well, there's Le Commensal, a buffet style vegan/vegetarian restaurant that's predominantly vegan. Canada's been on it for a while, but England - not so much, which is ironic because veganism first started in England. Japan is less difficult than it used to be but Europe still is. Any fond moments while abroad? In Antwerp there is a really quaint vegan spot with a photo of Moby on the wall and a paper mâché cow hanging from the ceiling and a wonderful woman who spoke 7 languages running it. She was really kind, great food - I unfortunately don't know what it's called but it's the one vegan restaurant in Antwerp. I remember having a phenomenal tiramisu there. So do you cook? No cooking - even though cooking really will decimate the cost of eating vegan. I don't have the ability. What if you were going to a potluck - what dish would you bring? I would probably have my friend's girlfriend make something for me - what she would make would really be up to her - she's vegan.

July 14, 2014   We all know that being an independent rapper is somewhat of an accomplishment in today's music industry, where large record labels use endless funds to promote their latest project.

November 12, 2013   On Sunday, while Miley Cyrus smoked a joint and twerked with a dwarf on stage in Amsterdam at the EMAs (the European equivalent of the VMAs), twenty one pilots was no where to be seen.

January 16, 2014   Matthew Hemerlein chooses his words carefully when describing his forthcoming album, Blue Film.

October 23, 2013   Last week, we mentioned one of our most anticipated acts at the CMJ Music Marathon was producing and performing trio BASECAMP. And, as the CMJ diagnostic proves, they were well-worth the trek to NYC. Just kidding. Though we didn't actually make it out to the festival, this week we did catch up with band members Aaron Harmon and Jordan Reyes right after they arrived back from their busy week. Topics covered: what it was like performing as BASECAMP for the first time, their highly downplayed public profile and what it's like creating and producing in Nashville's music community. Read on for our exclusive interview, and watch a clip of their debut performance at The Bowery below (via musicobssessed). So how was CMJ? Aaron Harmon: It was fun. We played four shows but our first time was playing at The Bowery. Was that actually the first time you played together in public? AH:  Yeah it was. Jordan and I had been in a band together for a while, but that was the first time as BASECAMP. Was it a different project? AH: Oh it was way different - it was a rock band. Indie rock? Classic rock? AH: No - It was like pop rock I guess, the best way to put it. It was called Enjoy The Zoo. Jordan and I have been in a band since we learned how to play instruments together so we've been doing it for a long time. We've known each other since first grade. You grew up in Nashville? AH: We grew up in Vegas, we moved to Nashville with our band about eight years ago. With Enjoy The Zoo? AH: Actually it was a different band at the time, the band was called The Beginner's Mind. It was actually a prog rock band, it was way different than Enjoy The Zoo. We've been through a lot of different changes. Well that's good, now that you've explored all these genres it gives you a wider perspective to draw from. AH: Oh no doubt, you know BASECAMP is loaded because of the journey we went through. What were your influences when you were in the pop rock and prog rock stages? AH: Well the prog rock I can tell you, straight up, we were like The Mars Volta, and Tool, Coheed and Cambria, that kind of sound. And then the pop rock we were more like Maroon 5 or Cobra Starship. Muse was kind of a big influence. Chili Peppers. Nice. So it's a more somber sound now, I feel like it's really calm and dark. Who's the person singing on tracks like "Emmanuel" and "Rydia"? AH: Aaron Miller is the vocalist. He has a very interesting voice. It reminds me of Beach House and Rhye - you can't really tell if it's distinctively masculine or feminine. Did he do any side projects before BASECAMP? AH: He was a singer in his own solo thing for a while before called Boss of Nova. That's an interesting play on words. Was it actually a bossa nova act? AH: No it was more along the lines of I guess what BASECEAMP became - that more chill kind of sound. So that was his own thing for a while. We met through a mutual friend - Chancellor Warhol, a rapper - who Aaron would sing for and me and Jordan would produce for. So that's how we linked up. What's it like being based out of country music's capitol? Do you have any local influences? AH: No. Not really at all. We're not really in the country scene at all [laughs]. There are really cool artists out here not necessarily in our genre, there's a growing music scene I'll say, a pretty cool rock scene.  A little bit of a hip-hop scene - like Chancellor Warhol who we work with all the time. So you played four shows at CMJ. Did you guys have a goal going into your first live show - was there a creative aim or did you kind of wait and see what would happen? AH: There was definitely a goal. We were actually super nervous going into it just because it was our first show. And when we were originally writing this record, we weren't thinking about playing live ever - it just wasn't even in our minds. So being able to make music that wasn't designed to be played live translate right was a challenge. We didn't want to come across like DJs playing tracks and Aaron singing or anything like that. We come from a live background and we really love being on stage and performing so we wanted it to come across that way - like an actual band and not a DJ group. But we got a great response and it came out pretty cool. Was there a favorite performance you guys had out of the four? AH: They were all really fun but I think we all just let loose in the final show. It was the last night we were there - it was at Slake. Did you guys get a chance to check out any acts at CMJ in your downtime? AH: Yeah, we actually rolled over to the Cashmere Cat show, which was amazing. We played after Sweater Beats at the Vital show. He's someone we really love so it was cool watching him DJ. But we didn't get to see as many as we'd probably have liked to, but that was certainly a highlight of the shows I saw. Who would you say your influences are currently - or do you not have any? AH: Oh no we have probably a million. That's all we do, all three of us, all the time. We listen to music. And we all have common grounds of artists that we love, but we all kind of listen to different styles in a different way. I like Cashmere, I'm really into that Jersey kind of sound. Trippy Turtle, DJ Yellow Bear, all the way to Rhye - I'm kind of late to the game on that. Jordan Reyes: The Rhye record I've really been messing with. Really into Penthouse Penthouse right now. AH: Of course, we're all on that new Drake record. What's your favorite song? AH: I don't know I'm really getting into "Pound Cake" for some reason. I don't know it just feels so good. I hated it at first. I didn't like Jay Z's verse, but now I'm like "Oooh." I think I heard it in a mix and it was slowed down a little. Just researching you guys on the Internet, there's not really much out there. Did you intentionally try to create a mysterious persona around yourselves? AH: It definitely wasn't intentional at all. Like I said, we didn't really plan for this to be any bigger than just playing our record for our friends and maybe getting some licensing deals for commercials or movies. So I guess what we wrote the record for was just moody stuff for movies. Is there a reason why there aren't any publicity photos of you on your Facebook profile and website? AH: That was intentional. Eventually there will be photos up. And your audiences saw your faces at CMJ. The whole point of BASECAMP was originally to be synced up to movies, so we're very visual people. And it's all about the experience. I don't know, connecting my face to the music isn't a priority for me. We're not trying to hide our faces like with a mask, but when we put our music out and people are hearing our songs for the first time, I want it to be more art than selling you songs. JR: We're about vibes. AH: I think there are enough artists, bands, producers out there who are putting their faces on everything and trying to be big rockstars when that's not our goal at all. We're just trying to make good music and even pass that to eventually good art. What kind of films would you want your songs to score?   AH: We like to throw up visuals while we're writing in the studio and movies on mute. Movies like Only God Forgives is something recent that is just beautiful front to back. And even big blockbusters. I thought Pacific Rim was one of the coolest-looking movies ever. So something really moody and cinematic. This past EP, Jordan collects a lot of photos, literally there were 8,000 photos cycling on the computer screen and t.v. while we're writing. Everything from beautiful women to crazy landscaping to fashion. Our studio's on an acre of land and a big forest behind us with a creek. It's really pretty and we have a window in our studio to look at, and during the winter it was freezing cold. That's what we love about Nashville. You're kind of in the zone, that winter vibe. That came through on your album, it's a little bit chilly. Are you working on an album now? AH: Not a record but we're working on our second EP What's that process been like? JR: We're just starting. AH: We had to stop all the writing to put the show together. It took a lot of time and just a lot of experimenting and failing until we got the show right. So we just haven't had the time to sit down and write because our mind's been elsewhere. But now that we got this leg of shows down, we're super excited to get back into the writing process. We've got some cool ideas going but we haven't finished anything yet.

July 28, 2014   The electric guitar still lives, despite the overwhelming evidence of rising synth popularity that hints at the contrary.

April 4, 2014   Remember that one song "You're The One For Me" everyone couldn't stop raving about last fall?

April 1, 2014   Part of Glass Animals' charm is that when you discover they are neither female nor a roots jam group, who they actually are is just as intriguing.