From the Site
David Kushner Conveys an Emotional and Musical Paradox in "Daylight"
April 17, 2023
"Daylight" manages to feel both engulfing and freeing in the same breath.
Author:
Nathan Ahamed
Dominic Fike Returns Home in "Dancing in the Courthouse"
April 14, 2023
Fike is one of one.
Author:
Jazmin Kylene
maxime. Introduces Himself as a Promising Indie Pop Experimentalist in 'mile end (kiss ur friends)'
April 14, 2023
'mile end (kiss ur friends)' is a sonic journey they won’t soon forget.
Author:
Giselle Libby
Tiny Habits Is Here to Deliver All the Feels: Tiny, Big, and Everything in Between
April 14, 2023
Tiny Habits' intimate folk-pop charm is undeniable.
Author:
Abby Kenna
ESHAAN is Taking Us On A Journey with His Conceptual Debut EP ‘FIRST CONTACT’
April 14, 2023
An 8-piece ensemble of tracks that's guaranteed to get you hooked.
Author:
Jessica Magtalas
PVRIS Release Fiery Angst-Ridden Single "Good Enemy" | THE NOISE
April 13, 2023
Genre-flipping pop-rock band PVRIS continue to keep listeners on the edge of their seats with the release of their latest single, "Good Enemy."
Author:
Alessandra Rincon
Meet Momma, the Indie Rockers Who Should Be a 'Household Name' After Their Coachella Set
April 13, 2023
Momma writes the type of music you wish you could experience at a crowded college house show, shoulder to shoulder in someone’s basement.
Author:
Abby Kenna
The Beths Look For Life's Purpose On "Watching The Credits" | THE NOISE
April 13, 2023
New Zealand power-pop band The Beths rocked 2022 with the release of their album Expert In A Dying Field. Now, they're back with "Watching The Credits," an infectious one-off single that was recorded during the sessions for that LP.
Author:
Alessandra Rincon
Cam Kahin Stuns On Long-Awaited EP 'WHEN IT'S ALL OVER' [Q&A] | THE NOISE
April 13, 2023
Toronto's very own Cam Kahin has finally released his long-awaited debut EP WHEN IT'S ALL OVER, and it was well worth the wait.
Author:
Alessandra Rincon
Landon Conrath Lets His Feelings Spill Out in "Broken"
April 13, 2023
“Broken” is a refreshing breath of change for Conrath.
Author:
Abby Kenna
Phabo's "LNF" Is Cuffing Season Approved
December 15, 2020
Los Angeles singer Phabo has arrived with his cuffing season approved jam "LNF."
Author:
Malc.
Mills' "Hollow" is a Brutally Honest Confessional
January 12, 2021
Drawing inspiration from the 70's era of Laurel Canyon, Mills' latest release, "Hollow," is an honest dissection of a toxic relationship.
Author:
Rachael Jansky
Elujay Crystalizes Two Years of Trial and Error on 'Circmvnt' [Q&A]
February 1, 2022
"It's just me telling my story, who I am, and what I went through."
Author:
DJ Connor
Niki Demar Channels the Early 2000's Disney Channel Star Era With "Pregame"
November 1, 2022
“Pregame” brings Demar one step closer to becoming a certified hitmaker.
Author:
Giselle Libby
Wallice’s 'Mr Big Shot' Is a Coming-of-Age Triumph
June 27, 2023
Wallice balances the fatigue and frustration of coming into adulthood to visceral effect.
Author:
Abby Kenna
Grave Secrets "Fuck Shit Up" On New Riot-Inducing Single | THE NOISE
October 5, 2023
LA punk and post-hardcore band Grave Secrets are ready to rage in their latest single, "Fuck Shit Up."
Author:
Alessandra Rincon
Kevin Abstract's 'Blanket' Feels Like the Album He's Been Waiting Ages to Make
November 7, 2023
Abstract guides listeners through a genre-less journey of alternative ingenuity.
Author:
Abby Kenna
MICHELLE Finally Lets Go in the Dreamy and Bittersweet “NEVER AGAIN”
January 16, 2024
“NEVER AGAIN” contains all the sorrow and beauty found in letting go.
Author:
Jazmin Kylene
Swansea Skag's 'the fundamentals of disappearing' Is Measured Chaos
February 20, 2024
Swansea Skag has learned how to paint with production, marrying electronic and organic influences with a deft hand.
Author:
Abby Kenna
Hot Mulligan Release Absurd Anti-Establishment Anthem "Stickers Of Brian" | THE NOISE
March 22, 2024
The new single is an energetic and dynamic track that expresses frustration with the monotony and tyrannical misery of a thankless day job, with comedy, sexuality, and capitalistic dread seeping throughout.
Author:
Alessandra Rincon