beabadoobee Makes Her Stunning Reintroduction With 'Our Extended Play'

image

Photo: Callum Harrison

This week British singer-songwriter beabadoobee, née Bea Kristi, returns to fans with her first project of 2021, Our Extended Play, a four-track EP that provides listeners with a new take on beabadoobee's signature style. After Bea's 2017 single "Coffee" was interpolated by another artist, she quickly amassed over 10 million listeners on Spotify and a newly devoted fan base. Though she may not have known it in 2017, the sky was the limit for the young artist, and luckily, Bea's newest release shows the artist spreading her wings and taking risks with new styles and sounds.

Though beabadoobee has already treated fans to a taste of Our Extended Play  via her 2021 single "Last Day On Earth," her EP in full sees the young singer doubling down on her new alt-rock-meets-brit-pop register. On tracks like "Last Day On Earth" and "Cologne," whose video also releases today, Bea displays an immense amount of talent and versatility by adopting a more abrasive and rock-leaning vibe.  

Her breathy and ambient vocals, a signature sound that paired incredibly well with her previous style of downtempo and acoustic cuts, simply flourishes over the EP's electrifying guitar and percussion tracks. On "Cologne" specifically, the distortion of the electronic vocals evokes comparisons to bands like Depeche Mode, though somehow amongst the chaos Bea's vocals retain their signature delicate elegance.  

For an artist who had already established her own musical lane, Bea's abrupt stylistic jump into a more heavy-handed genre is just about as graceful as one could hope. The two styles almost seem to meet in conversation on the EP cut "Animal Noises," a soft and saccharine song that gradually evolves into a rock-flavored cut with the introduction of string and percussion tracks. The riskiness of putting these two genres together pays off well, providing listeners with something entirely unique on Our Extended Play.  

The EP closer "He Gets Me High" is a touch more upbeat and eclectic than the tracks that preceded it, sounding like a Pale Waves hit but with dreamy vocals that balance Bea's distinct softness with an enviable ethereality.  

Our Extended Play sees Bea also closely collaborating with others for the first time, featuring writing and production from Matty Healy and George Daniel of The 1975 fame. Together, the three of them create a nuanced and '90s-inspired release that covers topics like unhealthy dependency, growing up, and everything in-between. With more music hopefully on the way, now is the perfect time to become a beabadoobee fan, and watch as she ascends into the musical stratosphere.

Listen to Our Extended Play  below:

Related Articles

Fall in Love With Ama Again on Her Self-Titled Re-Introduction [Q&A]

Fall in Love With Ama Again on Her Self-Titled Re-Introduction [Q&A]

July 3, 2026 The album is a vexing combination of honesty, R&B sultriness and perspective unfolds over thirteen tracks highlighted by the smash single, "Need It Bad."
Author: DJ Connor
pop
R&B
Ama
“Don’t be a fig girl, be the tree": Julip on Being a Multi-Hyphenate, Serendipity and Her Literally Hands-on Approach to Making Music [Q&A]

“Don’t be a fig girl, be the tree": Julip on Being a Multi-Hyphenate, Serendipity and Her Literally Hands-on Approach to Making Music [Q&A]

July 3, 2026 ”The concept of only being able to pick one fig, I think that’s very limiting and it doesn’t always have to be the case”, says New York based, multi-hyphenate artist julip.
Author: Daniela Waizel Rule
pop
Keo Refuses to be Labeled

Keo Refuses to be Labeled

July 2, 2026 Despite being mischaracterized as a maverick guitar band for Gen-Z, Keo’s music demonstrates multi-generational appeal, their reckless sound derived from bands such as Pearl Jam and Nirvana, attempting to put listeners onto comparable music from previous eras.
Author: Noah Wade
Keo