keshi's  'always' Captures the Constantly Shifting State of the Heart

image

If you haven't by now heard the name Casey Luong, more popularly known as keshi, you are doing yourself a disservice. The Houston-based artist crafts enthralling portraits of love and heartbreak - often existing in the same space at the same time - that tie together distinctive notes of lofi hip-hop, otherworldly R&B, and infectious pop melodies. Nowhere is this entanglement of genres and fluctuating states of the heart more fully realized than on his latest EP, always.

While keshi's current discography consists entirely of a series of EPs, often released in rapid succession - always being the second of 2020, following the impressive bandaids - this may just be his best work to date. It is a feeling that started to bubble from its opening moments, as the titular track's throwback scratching, anachronistic voice line, and reworked sample of John Mayer's "Waiting On the World to Change" showcased a keshi wholly uninhibited by any singular style or inspiration, actively moving between lofi hip-hop and effortless pop with an acrobatic dexterity.

The effortless feeling of both the track and EP lies not only in the production but keshi's impressive songwriting. In both "always" and the ensuing "B.Y.S.," which has all the flavor of an early 2000's pop-R&B hit, keshi pairs heartbreaking lyrics with soundscapes designed to move to and lose yourself in before you know it. It is the sonic equivalent of finding yourself crying in the club.

And while one needs to look no further than "talk" - a track that quite literally goes from zero to 100 in a matter of seconds - to see this enthralling balancing act on full display, keshi manages to be just as moving when he reels himself in. "drunk" and its gentle acoustic guitar backing captures the bittersweet feeling of walking home alone at bar close to magical effect. Then there's "us," a somber piano ballad that closes out always in cinematic and sweeping fashion.

Throughout its five widely distinctive tracks, always contains both an undeniable love for nostalgic pop-R&B and the genre's next wave, but more than anything it contains every ounce of keshi. It is a piece of art this inseparable from the artist, taking us by hand through every heartbreaking low and fleeting high.

You can listen to always below or, better yet, use the password xoxosos to check out the interactive virtual world crafted for the EP here.

Related Articles

Fall in Love With Ama Again on Her Self-Titled Re-Introduction [Q&A]

Fall in Love With Ama Again on Her Self-Titled Re-Introduction [Q&A]

July 3, 2026 The album is a vexing combination of honesty, R&B sultriness and perspective unfolds over thirteen tracks highlighted by the smash single, "Need It Bad."
Author: DJ Connor
pop
R&B
Ama
“Don’t be a fig girl, be the tree": Julip on Being a Multi-Hyphenate, Serendipity and Her Literally Hands-on Approach to Making Music [Q&A]

“Don’t be a fig girl, be the tree": Julip on Being a Multi-Hyphenate, Serendipity and Her Literally Hands-on Approach to Making Music [Q&A]

July 3, 2026 ”The concept of only being able to pick one fig, I think that’s very limiting and it doesn’t always have to be the case”, says New York based, multi-hyphenate artist julip.
Author: Daniela Waizel Rule
pop
People I’ve Met Open Up Like Never Before

People I’ve Met Open Up Like Never Before

July 2, 2026 NYC-based band People I’ve Met have spent the better part of the last year reorganizing their ambitions and identity.
Author: Noah Wade
pop